allenpetersonreviews

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Is the System Broken? Nick Noon’s “Who Needs Who” Asks the Hard Questions

Latest Reviews April 16, 2024

Heartbreak at Dawn: Unveiling the Love and Loss in Russ Nelson’s “5 AM”

Latest Reviews April 15, 2024

The Silence Industry Unveils a Hauntingly Beautiful Soundscape with “The Crawling Eye”

Latest Reviews April 15, 2024

Johnny Brewer Unveils a Dystopian Masterpiece: “Revelations” by The Neuromaniacs

Latest Reviews April 14, 2024

Paytron Saint Embraces Life’s Journey with Gritty Beauty in “Carmilla Roll”

Latest Reviews April 14, 2024

“Parking Lot Grooves: Kelsie Kimberlin’s Vibrant Ode to Dance and Desire”

Latest Reviews April 13, 2024

Kmalectro’s “Panta Rhei”: A Genre-Bending Tapestry Flowing Through Life’s Currents

Latest Reviews April 13, 2024

Destiny Road: Where Rock Meets Raw Emotion in “When the World Is Too Much (Remix)”

Latest Reviews April 13, 2024

Legna Hernandez & Love Ghost: “Tiana” – A Bilingual Journey of Love, Loss, and Redemption

Latest Reviews April 13, 2024

A Genre-Bending Sanctuary: Gary Dranow and The Manic Emotions Find Peace in “The Heart of the Forest”

Latest Reviews April 13, 2024

From Balkan Beats to Alpine Echoes: Adik Angel’s “Up So High” Soars

Latest Reviews April 13, 2024

Fake Plastic Delivers a Punchy Anthem in Genre-Bending “Endless No”

Latest Reviews April 12, 2024

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Latest articles

“Vice”: Heavy Skint’s Explosive Debut of Studio Chaos.

November 6, 2025

Philip La Rosa’s “Glitter & Gold”: The Simple Truth About Finding Your Own Value.

November 6, 2025

Trueclaw’s “The Ones Remembered”: The Quiet Power of the People Who Shaped You.

November 5, 2025

Pèng Lì Kè’s “Chén Lún”: The Quiet Power of Letting Go.

November 5, 2025