Love Ghost’s latest offering, “Angelic,” showcases the artist’s evolution as a musician, steering away from groovy stylings to embrace a more intimate atmosphere and poignant lyricism. The project, which seamlessly blends influences from punk-rap, emo vocal delivery, and EDM, demonstrates Love Ghost’s versatility in navigating diverse musical landscapes.

In “Angelic,” the artist pairs his distinctive vocals with an expressive acoustic guitar and subtle textures, proving that his gritty and nuanced tone can captivate listeners in both loud electronic arrangements and minimal settings. This departure from the usual energetic sounds reveals Love Ghost’s commitment to exploring new sonic territories and delivering an authentic, hypnotizing listening experience.

For those seeking authenticity in alternative soundscapes amid a sea of commercialized chaos, “Angelic” is a breath of fresh air. Drawing inspiration from musical legends like Jeff Buckley and Elliott Smith, Love Ghost manages to carve out a unique chapter in the alt-rock history books. The track transcends the boundaries of a mere single note, contributing to a crescendo within contemporary music narratology—an invitation gracefully extended towards future symphonies that seamlessly blend pain with transcendence.

The lyrics of “Angelic” add another layer to the song’s emotional depth. Love Ghost articulates a tumultuous journey of love, regret, and self-discovery. Lines such as “I just want to die now, and you don’t get it. Something about you is so magnetic. Complicated love is so angelic” conveys a raw and unfiltered expression of emotions. The artist skillfully weaves a narrative that touches on themes of longing, missed connections, and the complexities of love, creating a poetic tapestry that resonates with listeners on a profound level.

As the lyrics unfold, Love Ghost takes the listener on a visceral journey through emotions, inviting them to navigate the intricate dance between old hell and heaven. The imagery of a hotel room with blue walls, visions of shadows in the rain, and the yearning for a lost presence paints a vivid picture of the artist’s emotional landscape. The bullet-shelled tears and the acknowledgment that love could be both a source of joy and potential destruction further emphasize the multifaceted nature of the human experience.

“Angelic” is an exploration of the human soul and its intricate relationship with love and pain. Love Ghost’s ability to convey such depth and emotion in his music makes this track not only a standout in his discography but also a significant contribution to the broader alternative music scene. With each listen, “Angelic” unveils new layers, much like tracing constellations in the night sky—familiar yet uniquely poignant every time.

For more follow Love Ghost-on-Spotify, Love Ghost-on-Instagram, loveghost.com

Mick J. Clark crafts a musical narrative that transcends mere notes and lyrics, leaving an indelible mark on the global audience. A maestro celebrated for Grammy-nominated works, Mick unfolds his latest masterpiece, “There’s Nothing Anybody Can Do,” not just as a song but as a soul-stirring journey through the labyrinth of love and loss.

The trajectory of Mick’s musical voyage has been nothing short of extraordinary, with acclaim showered upon his album “Causes” and the single “A Song Has Gotta Swing Like Sinatra,” earning nominations at the prestigious 64th Grammy Awards. Beyond the accolades, Mick’s knack for transforming ordinary moments into extraordinary melodies solidifies his identity as a singer-songwriter with an unmistakable touch.

Boasting over 1 million Spotify streams and past chart-topping successes, including a notable No. 3 in the UK and No. 2 in the USA iTunes Top 100 Rock Songs with “We Know It’s True” in June 2020, Mick J. Clark unquestionably commands a global audience. Now, with his latest release, “There’s Nothing Anybody Can Do,” he adds a new layer to his already diverse repertoire.

This emotive ballad finds its roots in Mick’s personal experience—a raw and genuine response to witnessing his daughter’s heartbreak. In Mick’s own words, “I came home and found my daughter broken-hearted; her boyfriend had just jilted her, and she was so upset. I did and said all the usual things, but looking down at her, I realized when you’re that upset, ‘There’s Nothing Anybody Can Do.’“

As we delve into the soul-stirring lyrics, “There’s nothing anybody can do, and there’s nothing anybody can say,” Mick encapsulates the helplessness one feels in the aftermath of a shattered relationship. The words echo the universal truth that love, at times, can be harder than tough—akin to a rodeo ride, surfing the tide, or navigating the lonely cries of solitude.

The chorus unfolds with a poignant acknowledgment that “mending heartache can be quite cathartic,” offering a glimmer of hope amidst the pain. Mick’s lyrical prowess shines as he weaves metaphorical tales of a casino where the wheels are always turning, symbolizing the relentless nature of life and love. The vivid imagery paints a portrait of the rollercoaster emotions one encounters, making the song a visceral experience for anyone who has tasted the bitter sweetness of love.

“There’s Nothing Anybody Can Do” stands out as a captivating track from Mick’s upcoming album, “Brand New Love Songs,” poised for release on Valentine’s Day. Featuring 15 tracks dedicated to the various facets of love, the album promises to be a testament to Mick’s versatility as an artist. Released under Horus Music, this track marks another chapter in Mick’s illustrious career, setting the stage for a year filled with captivating releases.

Mick J. Clark’s “There’s Nothing Anybody Can Do” is a musical embrace that invites listeners into the vulnerability and strength that coexist in the aftermath of heartbreak. As we anticipate the full release of “Brand New Love Songs,” Mick continues to captivate audiences, reaffirming his status as a musical force to be reckoned with.

For more follow Mick J. Clark-on-Spotify, Mick J. Clark-on-Instagram, mickjclark.co.uk

Oli Barton, an exuberant street performer turned musical virtuoso hailing from the lively streets of the United Kingdom, introduces himself to the indie-pop scene with a striking debut single, “It’s Over Now.” In this vibrant anthem, Barton artfully combines his playful demeanor, insightful songwriting, and an unmistakable British charm, crafting an infectious sound that firmly establishes his position among the ascending stars of the UK music realm.

Barton’s trajectory, from busking on local UK high streets to gracing stages alongside established artists, has molded his unique persona. During his teenage years, he refined his performance style by energetically captivating audiences and gaining insights into what resonates with them. Reflecting on his street-singing days, Barton remarks, “When performing on the street, you quickly discover what people enjoy and, more importantly, what they don’t. A decent tune is your lifeline.”

His inclination towards romanticism and delivering straightforward yet impactful messages is evident in his music, enabling listeners to echo each unforgettable lyric. Barton’s narratives, often inspired by his observations of people and relationships, are relatable, occasionally skeptical, but consistently entertaining—a distinctive blend that characterizes his storytelling approach.

Barton’s inaugural single, “It’s Over Now,” symbolizes the culmination of his journey as an independent artist. Unveiled through his label, Coke & Dagger Records, the track presents a cohesive showcase of Barton’s strengths. It unfolds as a guitar-infused indie-pop reverie, aiming to unite people in a post-pandemic era.

The exuberance within “It’s Over Now” is tangible, evident in the festival-ready chorus and the well-defined funk-inspired bass and drums in the verses. Barton expresses, “I aspire to blend the rhythmic elements I adore in funk, disco, and new wave with the punk energy that characterizes my band.” This deliberate amalgamation of influences yields a rhythmic, pulsating anthem that exudes both fiery punchiness and unapologetic youthfulness.

The song’s lyrics delve into themes of suspicion, nostalgia, and the intricacies of relationships, all delivered with Barton’s signature tongue-in-cheek approach. The infectious energy, rhythmic prowess, and anthemic choruses distinguish “It’s Over Now,” showcasing a conscious shift towards crafting music that prompts people to hit the dance floor.

Oli Barton’s debut single marks a triumphant entrance into the UK indie-pop scene. “It’s Over Now” not only mirrors Barton’s evolution as an artist but also injects a fresh perspective into the dynamic musical tapestry of the United Kingdom. As the song resonates with the essence of British towns and clubs, it encapsulates the essence of Oli Barton—a mischievous instigator, a perceptive bystander, and an incurable romantic, all wrapped up in one. “It’s Over Now” serves as a proclamation, a celebration, and a pledge of more to come from this emerging UK talent.

For more follow Oli Barton-on-Spotify, Oli Barton-on-Instagram, olibarton.co.uk

Embarking upon the enchanting realm of musical alchemy, where genres converge and creativity reigns boundless, Ari Joshua, a virtuoso guitarist, composer, and producer, stands as a formidable force. Hailing from the diverse landscapes of Cape Town, South Africa, and nurtured in the vibrant music scene of Seattle, Ari’s musical odyssey is a tapestry of diversity and profound impact.

Introducing his latest musical endeavor, “Elephant Walk,” Ari Joshua collaborates with jazz luminaries John Medeski on organ and Billy Martin on drums, weaving a sonic tapestry that pays homage to the classic piano trio while infusing it with a unique and original essence. Medeski’s piano cascades with free-flowing embellishments, seamlessly entwining with Martin’s percussive mastery, constructing a composition adorned with a dynamic and ever-evolving array of polyrhythms. The outcome is a melodic expedition that enchants the listener’s imagination.

Ari Joshua’s guitar resonates like a deep, powerful call, reminiscent of an elephant raising its trunk. The initial melody gracefully meanders, laying the foundation for Medeski’s inspired improvisation and Martin’s rhythmic dialogue. This is not merely a musical piece; it transcends into a sonic exploration, a spirited conversation between instruments that defies the conventional boundaries of jazz.

The title, “Elephant Walk,” is not a mere catchy phrase. According to Joshua, it encapsulates a carefree and whimsical melody, a musical saga of a young elephant on a quest for truth and freedom. The accompanying narrative, skillfully depicted by Paul Delaney’s artwork, paints a vivid portrait of the majestic creature embarking on a soul-searching journey. Joshua’s eloquent articulation captures the music’s essence, emphasizing the enduring and majestic qualities reverberating through the composition.

The production of “Elephant Walk” testifies to the collaborative synergy fueling its creation. The impeccable audio craftsmanship, with engineering by Chris Bitnner, mastering by Ed Brooks, and mixing by Ari Raskin, contributes to an immersive and vibrant sonic spectacle.

In Joshua’s own words, “Music utilizes collaborative imagination to craft something enduring and equally majestic as nature itself.” “Elephant Walk” precisely embodies this—a collaborative masterpiece leaving an indelible mark. It’s a musical voyage where each note echoes the footsteps of an elephant, and the harmonies narrate a tale as timeless as nature’s own narrative.

For more follow Ari Joshua-on-Spotify, Ari Joshua-on-Instagram, arijoshua.com