Nexxus 604 is more than just a name in the electronic dance music industry; he’s a storyteller who weaves emotions into soundscapes. Based in the vibrant city of Los Angeles, Nexxus 604 has been turning heads with his unique blend of psytrance, dubstep, and progressive music styles. Each of his tracks carries a sense of depth and purpose, but his latest release, “Awakening,” feels like a turning point—an invitation to lose yourself in sound while finding something deeper within.

“Awakening” draws its inspiration from the life-changing experience of Burning Man, especially the moving atmosphere of “Project Awakening.” Nexxus 604 captures that energy in this song in a way that is both thrilling and dreamy. Though the rhythms have a steady, driving tempo, the soaring synths and lovely, delicate melodies offer quiet, reflective periods. It makes you feel alive and transports you to a place of reflection and joyful emotional outbursts.

Awakening

What makes Nexxus 604 stand out is how he says so much without using any words. “Awakening” is an instrumental track, but it still tells a story that anyone can connect to—about exploring, learning, and finding balance between noise and peace. Listening feels like stepping into a dream, where every sound paints a picture and every beat speaks a quiet truth.

As an artist, Nexxus 604 has always drawn from a rich palette of influences, from the iconic sounds of Infected Mushroom to the cinematic narratives of Monolink. Yet, his music is undeniably his own. Tracks like “Awakening” show not only his technical skill but also his capacity to connect, to make music that moves both the body and the soul.

This release also highlights the growth of Nexxus 604 as an artist. With over 10,000 dedicated fans and performances in cities like Salt Lake City and Los Angeles, he’s steadily making a name for himself in the electronic music scene. While his earlier work, like the captivating EP “Free Your Consciousness,” showed great potential, “Awakening” feels like a bold declaration—he’s here and ready to take the genre in a fresh direction.

“Awakening” is a whole experience, a chance to take a moment, think things through, and reconnect. Nexxus 604 has made something really special, a piece of music that feels both personal and something everyone can relate to. If this is the direction he’s going, the future of electronic dance music is definitely in great hands. Make sure to listen to “Awakening.” It’s a song you don’t want to miss.

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Terry Beast is a musician from Kyiv who’s getting noticed in hip-hop. His music mixes hip-hop, gothic rock, and dark trap, making something totally unique. With over 10 years of experience in producing, mixing, and mastering, Terry has made a sound that doesn’t just push limits—it breaks them.

His music serves as an uncensored expression of emotional conflict and spiritual revolt but also allows the audience a deep dive into the complexity of his work. Drawing inspiration from renowned characters like Marilyn Manson, Nine Inch Nails, and Travis Scott, his latest tune, “Mr. Man Son,” is a portent of his upcoming mixtape, “Revelations in Reverse.”

With many fans and a continually rising monthly listening audience, Terry Beast’s music is already resonating globally. Fans range from North America to Europe, with a noteworthy concentration in locations like North Bergen, London, and Prague.

“Mr. Man Son” commences with an overpowering tone that sets the atmosphere for a trip into a murky sound. The song’s trip-hop beats and twisted sounds create a feeling of unease—a perfect setup for the deep and unusual themes that come next. The lyrics feel like a flow of thoughts, filled with strange images and big ideas.

Mr. Man Son

These lines work as both a meditative chant and a grounding motif, providing a mesmerising rhythm that contrasts with the lyrical profundity. Lines like “Black and white flicks, bottom colour in the paint” and “Hollywood signs, bottom running in reverse” combine the beauty of fame with its underlying disorder, a theme important to Terry’s examination of modern reality. 

Other phrases, such as, “I’m poking holes in heaven, I say time shall have no birth,” is particularly remarkable and show a defiance of cosmic order and a longing to rewrite existential rules. This artwork matches the greater narrative of “Revelations in Reverse,” where biblical and philosophical concepts are recreated through a modern, chaotic prism. The song’s dark beats and layered vocals add to these ideas, making a sound that’s both strange and interesting.

At its heart, Mr. Man Son is about looking at chaos—both in our own minds and in the world around us. The song digs into the shattering consequences of celebrity, as seen by lines like “Twisting of reality, I get my mind diversified” and “Smoking on the green, but my thugs are royalty.” Here, Terry confronts the dichotomy of achievement, where external recognition is often followed with inward turmoil. The images of “Black tea, Gucci man style” and “Figurine that blinks like I’m Gucci” highlight the contradiction between material luxury and existential emptiness. 

Self-discovery is another prevalent subject, with the artist going through phases of loneliness and empowerment. The line Used to be so boring, used to feel so lonely / Now I’m like a bunch of DM only shows this change, pointing out how chasing your creative vision can feel lonely but also freeing. The ending lines, “Tick tock, cross-colouring / Black and white flicks, but I’m colouring the pain,” embody the spirit of the track—a refusal to be constrained by society standards or personal constraints. 

As the opening chapter of “Revelations in Reverse,” “Mr. Man Son” sets the tone for a mixtape that promises to be as provocative as it is thoughtful. The tune is not simply a song; it’s an experience—an invitation to go into Beasty world, a universe where biblical allegories meet with modern fears. This bold creative style, along with Terry’s dramatic live shows and unique look, makes him a leader in the changing music scene.

At a time when a lot of popular music feels safe and predictable, Terry Beast brings something fresh and different. With his brave experimentation and intensely personal storytelling, “Mr. Man Son” is a statement of intent from an artist unafraid to defy norms and reimagine what music may be. As his popularity expands and his style continues to change, one thing is clear: Terry Beast is on a trajectory that could very well reshape modern music.

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Mad Painter has been a familiar name in Boston’s music scene since 2015, capturing the hearts of listeners with their classic rock vibe. Inspired by the sounds of the 1970s, they mix blues, psychedelic, and melodic rock, creating a style that feels both familiar and new. Their music brings a sense of nostalgia while still offering something fresh and exciting for everyone. Their latest single, “Debt Collector,” is a perfect representation of what makes them stand out: a vintage sound, poetic storytelling, and a deep emotional connection to the human experience.

The band’s lineup features Alex Gitlin, whose rich vocals and keyboard work anchor their sound, alongside Alan Hendry’s steady drumming, Kenne Highland’s dynamic basslines, and Alan Nahabedian’s crisp guitar work. Julie Gee and Sharon Crumrine’s backing vocals and flute arrangements add texture and depth, creating a sound that’s immersive and all-encompassing. “Debt Collector” is a testament to the band’s ability to balance nostalgic charm with a modern edge, drawing us in with its soulful blend of classic rock influences.

Debt Collector

The track kicks off with raw, bluesy riffs and the soulful growl of a Hammond organ, immediately bringing to mind classic rock icons like Deep Purple and Alice Cooper. But “Debt Collector” is more than just a nod to the past. Beneath its vintage sound is a story that hits close to home—about the pressure of responsibility, the chase for what’s owed, and the emotional weight of life’s demands. The debt collector, often viewed as a hard-edged enforcer, transforms into a symbol of the repetitive struggles and burdens we all carry day in and day out. It’s a story of exhaustion, of being caught between competing demands, and of the quiet toll it takes on our sense of self.

Lines like “If you’re mine, it’s fine to impose a fine” tap into the emotional and social debts we carry, from trying to repair relationships to balancing work and personal life. The chorus— “I’m your debt collector, I’m your bed inspector”—sticks with you, reflecting the constant pull between obligation and personal freedom. This duality resonates deeply with anyone who’s ever struggled with responsibility and the desire to escape it.

The music really brings this feeling to life, with the gritty guitar riffs and the bold sound of the Hammond organ creating a vibe that’s both intense and thoughtful. The way the song is put together pulls you in, matching the weight of its message. The organ, in particular, stands out, adding something special, almost like it’s another character in the story.

What makes “Debt Collector” truly special is how it invites listeners to see themselves in its narrative. We’ve all felt both in control and powerless, caught in the cycles of giving and taking, fixing and breaking. The song doesn’t just tell a story; it brings the listener into the experience, making it a deeply emotional and reflective journey.

Mad Painter’s “Debt Collector” is a reflection on life’s struggles, the weight of responsibilities, and the cyclical nature of existence. For fans of classic rock, it’s a nostalgic throwback with its bluesy charm and timeless energy. But for anyone who listens closely, it’s so much more. It’s a song that speaks to our shared humanity, reminding us that we’re all, in some way, debt collectors and debtors, navigating the demands of life together.

With “Debt Collector,” Mad Painter proves that classic rock’s messages are just as powerful and relevant today as they were in the 70s. It’s a song with heart, encouraging us to pause and reflect on the cycles we’re all part of. If you haven’t yet listened to “Debt Collector,” now’s the time to do so—it’s more than just music; it’s a reminder that we’re never alone in facing life’s challenges.

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Matty Myatt’s latest track, “When I’m Dead Just Throw Me in The Trash,” feels like sitting down with an old friend who knows how to laugh at life’s twists and turns. It’s one of those songs that surprises you, blending honesty, humour, and a subtle wisdom that stays with you. Closing out his three-song EP, “Self Help Wanted Ads,” it ties everything together in a way that’s personal yet easy for anyone to connect with.

At its core, this song is about embracing life for what it is—a chaotic, unpredictable mess where things don’t always go as planned. Instead of getting stuck in disappointment, Myatt takes the uncertainty and turns it into something oddly beautiful. It’s like he’s telling us it’s okay not to have it all figured out and to just go with the flow. We’ve all had those moments when life feels all over the place, and we’re just trying to make sense of it, so it’s easy to relate.

When I’m Dead Just Throw Me in the Trash

Myatt’s songwriting has always been his strength, and here, he takes it to another level. There’s a vulnerability in this track that feels new, like he’s let his guard down and invited us into a more honest version of his world. Instead of hiding behind clever metaphors, he lays it all out with a simplicity that hits harder because it’s so real. He’s not afraid to admit that life is messy, relationships are complicated, and most of us are just figuring it out as we go along.

Listening to “When I’m Dead Just Throw Me in the Trash” is like being reminded of all those little moments in life that we usually don’t notice. The song touches on relationships—the ones we try to keep, the ones that fade away, and the ones we never really know how to handle. It’s about that pull between holding on and letting go, wanting to connect but being afraid to be vulnerable. Myatt sings it in a way that feels so personal, like he’s sharing his own story but also giving us a chance to see ourselves in it too.

In a way, the song mirrors the push and pull of our daily lives. It’s about the balancing act of maintaining relationships while dealing with personal struggles and the chaos of routine. We’ve all had those moments where we’re too afraid to say what we really feel or where we let silence take the place of the conversations we should have had. Myatt captures that beautifully here, not with grand gestures or dramatic declarations, but with a quiet, steady acceptance of life’s imperfections.

The closing moments of the song bring everything full circle, leaving us with a sense of peace and acceptance. Myatt’s idea of being “thrown in the trash” might sound cheeky, but it’s really about letting go of the need for permanence or recognition. Instead, he focuses on the memories and connections we leave behind—the simple, authentic moments that make life meaningful. It’s a reminder that we don’t need to have all the answers or leave a monumental legacy; sometimes, just being present and real is enough.

As the final track on the EP, “When I’m Dead Just Throw Me in the Trash” feels like a culmination of everything Myatt has been trying to say. It’s thoughtful, a little sombre, but still infused with his trademark humour—a perfect blend that shows his growth as an artist and as a person. This isn’t just a song about accepting life’s uncertainties; it’s an invitation to embrace them, to find joy in the chaos, and to keep moving forward, even when the path ahead isn’t clear.

Matty Myatt has given us a song that feels like a hug and a nudge all at once—a reminder that life is messy, relationships are complicated, and none of us really know what we’re doing. And that’s okay. So go ahead and give it a listen. You might just find a little bit of yourself in it.

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