Born and bred in Italy, Richard Green relocated to London around 2012 in order to follow his love of music. Equipped with a higher education in guitar and a degree in musicianship, he prepared himself for a career defined by adaptability and originality. Richard has become known over time for his broad musical taste by integrating electronic, dance, classical, and jazz among other genres.

Richard launched his artistic career with the December 2020 publication of his experimental track “Dark Horses”. This debut song had a strong melancholy vibe, which inspired his other exploring musical approach. Eight months later, he launched his first EP, “Color and Sound,” a collection of six original tracks that were released as singles earlier and actually made an impact. His second EP, “The Circle Closes,” further demonstrated his devotion as a composer and artist as a whole. The project had five compositions incorporating piano and strings, and a collaboration between the legendary pianist Irene Veneziano and the Archimia Strings Quartet. Other tracks like “Just Different,” tell us Richard’s desire to expand musical bounds and have single-combined classical components intermingled with jazz and blues elements.

Bleeding

With his most recent song, “Bleeding,” Richard hits a critical turning point in his artistic evolution. Released on May 8, 2024, this song exhibits his sound-based skill to transmit unvarnished feelings. “Bleeding” was fully recorded at his home studio in London, exactly like his other tunes — a monument to his rigorous attention to detail and hands-on approach to music production. What makes this track particularly unique is that its melody and overarching concept were conceived and produced in a single night. This feat makes Richard a creative genius with more than enough spontaneity and tenacity to turn all the tiny flashes of inspiration into physical works of art.

Although “Bleeding” does not contain any lyrics, much like his previous songs, it manages to stay topical through its arrangement. The beats give off themes of restlessness—those moments when one’s heart is racing and thoughts and strong emotions keep sleep away. The title itself talks about the mind’s diseases, and during such moments, it employs blood and bleeding as a form of symbolism. Richard combines intricate layers of electronic sounds, making “Bleeding” convey a sensation of vulnerability.

Richard’s inspirations are obvious in his work. He pulls inspiration from electro-dance pioneers like Bloody Beetroots and Boys Noize during his formative years. He pours their enthusiasm into his own ideas and infuses them with his particular touch. One of his earlier songs, “Astronaut,” displays his ability to generate these computerized tracks. Other efforts like “A Journey” illustrate his skill in neoclassical composing.

Richard’s fanbase keeps growing, making it a metric that qualifies his talent and perseverance. With over 3,300 followers and more than 500 monthly listeners, his music is actually reaching people around the globe. For example, in Italy alone, localities like Naples and Milan boast over 200 listeners, while other locations like Philadelphia and Tampa in the United States also figure in his growing list of followers. Despite being relatively new (he released his first single in 2020), Richard managed to give his listeners something that hints that he is on the cusp of wider notoriety.

Looking ahead, Richard has expressed interest in bringing his neoclassical music project to the live stage. This could be capable of bridging the gap between the musical genres in question. For now, “Bleeding” is a kind of reflection of Richard’s life experiences, providing listeners with an intimate glance into his creative mind.

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Trickshooter Social Club is a rock band from Chicago with a fresh take on American rock-and-roll. They blend raw garage rock energy with hints of alt-country and blues, creating a sound that’s both rough and meaningful. Their music feels soulful and worn but still holds onto hope. Led by guitarist Larry Liss and singer Steve Simoncic, the band is known for emotional performances and songs that tell real, powerful stories through deep, layered sounds.

Their new single, Television, comes from a personal place, written after the loss of a band member’s father. The song softly looks at how fragile life is and finds beauty in the little moments. With its honest storytelling, it makes us think about the short but meaningful connections that make up our lives.

Television

At its heart, “Television” explores life’s quiet beauty—fireworks in southern Indiana, the comfort of dancing in the kitchen, or a touch on the cheek during difficult times. Even simple everyday moments hold deep meaning, reminding us that small things can have a big impact. The song celebrates the connections that make us who we are. It shows how love and relationships often grow from small, quiet moments to just being together.

The track explores life’s contrasts: happiness and tiredness, connection and loss, hope and the unavoidable. It understands how life’s challenges can feel heavy, but it also shows the strength we find in little comforts—like the light of a late-night TV, a quick dream of something better, or the peace of a daily routine. With its honest message, the song reminds us that even in hard times, there’s beauty in holding onto love and the moments we share.

“Television” reminds us to appreciate everyday moments as something special. It shows that life is both magical and real, filled with happy and sad times that stay with us long after the excitement fades. Trickshooter Social Club didn’t just make a song—it’s a message about strength, connection, and the quiet beauty in life’s small, delicate moments.

Stream “Television” now and let its heartfelt message resonate with your own life’s quiet moments.

For more follow Trickshooter Social Club-on-Spotify, Trickshooter Social Club-on-Instagram, trickshootersocialclub.com

With the release of his highly awaited song “Tell ‘Em” early this year, Terry Blade cements his role as a torchbearer of modern blues and embodies the soul of classic performers like BB King, Muddy Waters, Odetta, and Nina Simone. This Chicago-based, award-winning singer-songwriter has spent the last few years establishing an illustrious reputation, merging emotional songwriting with raw, powerful performances that resonate with audiences worldwide.

Terry Blade is no stranger to honors. With over 170 awards and nominations since his 2020 debut, he has quickly emerged as a strong figure in the music industry. His varied artistry—spanning genres including blues, folk, R&B, and Americana—has earned him comparisons to great musicians such as Meshell Ndegeocello, Tracy Chapman, and Amos Lee. In 2023, Blade’s blues ballad “Won’t Be Around” won the American Songwriter Song Contest in the Blues category, a fitting acknowledgment of his ability to infuse fresh life into the genre. The accompanying music video swept multiple international accolades, including Best Cinematography at the California Music Video accolades and Best American Music Video at the New York International Film Awards. This single encapsulates Blade’s unique sound: intimate, strong, and rooted in authenticity.

Tell ‘Em

“Tell ‘Em,” his new song, is a good illustration of Blade’s stripped-down approach –relying only on his appealing voice and the raw strums of an acoustic guitar. The simple arrangement enables listeners to focus on the song’s emotional core, where every note and phrase bears weight. The sluggish beat creates a feeling of quiet urgency, bringing listeners into the sad narrative Blade skillfully weaves.

The lyrics of the single are also quite indicative of Terry’s cause. “Tell ‘Em” opens with a poignant plea: Tell my sister to be strong / Remember, tell my sister to keep strong / cause I know the system done my sister wrong. Here, Blade focuses on the collective suffering and perseverance that has plagued all marginalized communities, notably in the US. The repeated lines buttress the need for togetherness and try to instill a sense of hope through this song, asking us to find our strength despite institutionalized injustices all around.

Blade’s voice is loaded with sadness and defiance and adequately embodies the challenges endured by many. This expands further with lines like “Tell my brother always watch your back / Cause I know the system won’t give my brother no slack.”. These lines put in plain sight the ongoing vigilance by people to navigate this inequitable environment, with systems specially designed to oppress minorities. The sparse guitar accompaniment reiterates the weight of these words. This produces a striking contrast and emphasizes the song’s emotional impact.

The chorus further serves as an assertion about the sacrifices made and efforts for liberation, with lines such as, “Tell my people that I will die for them / Just so they can be free of the system” emphasizing the idea. This line, spoken with a mix of fragility and resolve, defines the spirit of the blues: a genre created from suffering, resilience, and the fight for freedom. Blade’s unrelenting devotion to justice connects with all audiences that recognize the struggles he addresses in this song.

Terry Blade’s talent is strongly inspired by the traditions of greats like the blues, Nina Simone -with her very unique way of emoting-, The Muddy Waters – with their unfiltered rawness, and BB King – the minimalist genius- all of which we find echoes in Blade’s work. Yet, he brings his unique voice and touch to the table, blending these influences with contemporary topics and personal experiences as a Black LGBT artist.

“Tell ‘Em” is a terrific example of how to honor the past and establish a route forward. The song’s small production—one vocal, one guitar—feels ageless, a tribute to the storytelling roots of blues. Blade’s vocal style, both delicate and authoritative, delivers a depth of emotion that is unique in today’s music.

As 2025 begins, Terry Blade is ready for another groundbreaking year. Following a victorious 2024 loaded with awards, including many prizes at international film and music festivals, “Tell ‘Em” indicates a new phase in his career. The song not only demonstrates Blade’s unmatched talent but also reinforces his commitment to using music as a platform for truth-telling and empowerment.
Blade’s ability to connect with audiences through real, honest storytelling makes him special and worthy of this reputation. With “Tell ‘Em,” he invites us to join him in remembrance, reminding us of the power of music to heal, inspire, and drive change. “Tell ‘Em” is simply a call to action and a homage to the legacy of the blues.

For more follow Terry Blade-on-Spotify, Terry Blade-on-Bandcamp, Terry Blade-on-Soundcloud, Terry Blade-on-Instagram, terryblademusic.com

Bad Bubble is an artist known for his creative style of mixing electronic sounds, synthpop, and new wave into his music, creating something that feels personal. His latest song, “At the Age of Three,” is stripped down to just a piano and his raw voice, making it feel simple yet powerful.

Since he began making music in 2022, Bad Bubble has built a sound that’s all about honesty and emotion. His songs often tell stories about the ups and downs of life, and “At the Age of Three” is no different. The song reflects on a time in his early life that shaped who he is today—something many people can relate to. It’s not a song that targets a specific group; it feels like something anyone could connect with, no matter their background.

The song starts with a quiet piano and Bad Bubble’s soft voice. There’s nothing extra—no big sounds or effects. It’s simple, but that’s what makes it feel real. It doesn’t need fancy stuff to make you feel something. It’s just honest and emotional, like things we all go through.

At the Age of Three

“At the Age of Three” is about being strong, growing up, and dealing with life’s hard times. It describes in detail someone who’s gone through difficult times but has learnt to keep going. The idea of becoming “waterproof” symbolizes learning to deal with life’s ups and downs without letting them break you. 

There’s also a sense of hope in the song. Bad Bubble talks about how sometimes you don’t get all the answers right away, and that’s okay. You may not fully understand life’s lessons in the moment, but later on, things will make sense. This message gives listeners a sense of patience and reminds us that healing and learning take time.

The art pop feel in the music gives the song an abstract quality, making it easy for people to interpret it in different ways. Whether you’ve had hard times as a child, tried to grow as a person, or faced challenges in relationships, this song speaks to you.

“At the Age of Three” feels personal and real. Its simple sound is full of emotion, so it’s easy to connect with. It’s the kind of song that stays in your mind, like a gentle comfort when life gets tough. Bad Bubble has crafted something more than sound—it’s something you feel in every note.

For more follow Bad Bubble-on-Spotify, Bad Bubble-on-Bandcamp, Bad Bubble-on-Instagram, badbubble.net