Love Ghost, an enigmatic and ethereal band, captivates the music industry with their captivating sound. Rooted in Seattle tradition and Souncloud-era fearlessness, their music enchants audiences with electrifying live performances. Recently, they showcased their talent at Germany’s Rockpalast festival, following in the footsteps of iconic bands like the Smashing Pumpkins and Green Day. Their global reach is evident through collaborations with artists from Mexico to Russia, showcasing their boundless creativity.
Founded by Finn, Love Ghost boasts a multi-talented lineup, with Alcala on guitar, Cory on keyboards, and Daniel Gallardo on drums. Each member adds a unique touch to their fusion of artistry. With “Payback,” their latest original single, Love Ghost amplifies their distinct sound, leaving audiences immersed in their musical world.
The haunting lyrics vividly describe a tumultuous emotional landscape, reflecting inner turmoil and unresolved feelings. The protagonist’s yearning for vengeance is palpable yet intertwined with a desire to protect and save someone they care about. The song’s intensity builds, culminating in a transformative moment of acceptance.
Love Ghost’s distinctive sound and evocative storytelling make “Payback” a thought-provoking and cathartic musical experience. It invites listeners to explore the complexities of human emotions and find closure amidst the ashes of past pain, offering a powerful message about forgiveness and healing. In the haunting depths of “Payback,” the band showcases their artistic prowess, resonating deeply with audiences. As they continue to push the boundaries of music, Love Ghost solidifies their status as rising stars in the industry, destined to leave an indelible mark on the hearts of music enthusiasts worldwide.
Hailing from North Carolina, Kejuan Servin is rapidly establishing his presence in the music scene with his latest release, “Get to It,” featuring Gtb Mike. Building on his earlier debut, “Who is Servin?”Kejuan consistently unveils tracks that showcase his innovative and experimental take on rap.
“Get to It” stands as a testament to Servin’s distinctive musical approach, breaking free from conventional rap boundaries. With intricate lyrical finesse, Servin crafts a vivid portrayal of raw realities. Collaborating with Gtb Mike adds depth, creating an engaging lyrical exchange that captivates throughout. The production by Durmaz enhances Servin’s lyrical prowess, driven by an infectious beat.
The track highlights Servin’s penchant for pushing creative limits, showcasing his unwavering artistic vision. “Get to It” solidifies his position as an artist unafraid to explore uncharted territories, setting a unique path in hip-hop.
In every line of “Get to It,” Servin’s authenticity and commitment to his craft shine brightly. With an innovative spirit and a distinctive voice, Servin forges a promising trajectory in hip-hop. “Get to It” beckons listeners to embark on a journey that navigates life’s intricacies, challenges conventions, and celebrates self-expression. Rooted in introspection and creativity, Servin’s music resonates deeply, leaving an indelible imprint on the genre and its enthusiasts. As he continues to evolve, one certainty remains: Kejuan Servin is a rising luminary in hip-hop, poised to leave an enduring mark.
Jeán et Joie, the brainchild of artist and songwriter Grey Jeán, introduces us to a musical realm where mournful folk meets a luminous glimmer of hope. In a skillful fusion of minimalist instrumentals and poignant storytelling, their music unveils a captivating tapestry woven with themes of celestial wonder, the raw beauty of the natural world, and unfiltered emotional honesty. Rooted in a home brimming with melodies, Grey’s musical journey ignited during his formative years in Arkansas. From choirs to open mic nights and even virtual stages during the pandemic, this evolution culminated in the birth of Jeán et Joie in 2022. Collaborating with his life partner and a talented ensemble of musicians, Grey now finds solace and creative inspiration among the serene landscapes of North Carolina. The result is a collection of introspective melodies that resonate with personal narratives and the profound symphony of nature.
“Glory Be,” an enchanting composition by Jeán et Joie, emerges as a musical masterpiece suffused with emotional depth, evocative imagery, and poetic resonance. The song encapsulates a profound exploration of life’s complexities, woven with metaphors and storytelling that strike a chord deep within the soul.
From the very first lines—“And as the crow flies, there’s nowhere that I’d rather be”—Grey Jeán’s lyrical prowess, the heart and soul behind Jeán et Joie, invites us into a world of contemplation and introspection. With an artistry akin to that of a master painter, they guide us through a journey of emotions, memories, and reflective thoughts that transcend mere words.
The interplay of waiting and the metaphorical association with Medusa’s gaze set the stage for the central theme—a yearning for meaning, a dance with uncertainty, and a quest for understanding within the intricate mosaic of life’s experiences.
“Glory Be, Glory Please” echoes as a recurring plea for guidance, a heartfelt call for clarity amidst the tumultuous currents of existence. The repetition of these words captures the essence of seeking: an insatiable hunger for understanding and an innate desire to connect with something larger than us.
As the song unfolds, metaphors paint a rich emotional landscape, inviting listeners to dive into a world of sensations and perceptions. Allusions to hurricanes, drowning, and finding solace amid life’s tempests create an immersive emotional tapestry. A verse like “Still thinking’ ’bout church pews and the way they remind you how it felt on the inside of me” evokes nostalgia and spiritual introspection, shedding light on the profound impact of music in evoking memories and emotions.
The song’s narrative delves into trials, judgment, and the quest for redemption. The poignant lines “Tell the jury, this trial’s all yours; trade the judge for the sinner again” embody the internal struggle each individual grapples with—a search for inner healing and a rebirth of the spirit.
The composition’s depth is further enhanced by a captivating musical arrangement, where Grey Jeán’s emotive vocals weave seamlessly through the band’s intricate instrumentation. This symphonic marriage of heartfelt lyrics and captivating melodies creates an ethereal atmosphere that lingers long after the song’s final note.
“Glory Be” stands as a testament to Jeán et Joie’s ability to transcend the boundaries of music, transforming it into a vessel for emotions, memories, and universal human experiences. The song’s lyrical craftsmanship, coupled with its captivating soundscape, beckons listeners to embark on their own personal odyssey—a voyage through the labyrinthine corridors of life, love, and self-discovery.
Grey Jeán’s songwriting prowess shines brilliantly within this composition, turning it into a sanctuary where emotions are not only acknowledged but embraced and understood. “Glory Be” is a stirring reminder of music’s unparalleled power to incite introspection and delve into the profound tapestry of the human experience itself.
Every well-known individual has a unique origin, and Olivia Browse is no different. She has climbed from humble beginnings to seize the spotlight along a path built with perseverance, persistence, and unwavering enthusiasm for her line of work. Olivia Browse has established a reputation in the music industry via countless performances and a constant quest for excellence.
Olivia’s voice speaks to the very core of our beings and conveys the language of music. With a vocal range that easily navigates emotional depths, she engages with her audience in a natural way while communicating true feelings and inspiring empathy. Calendar Girl is a wonderful move that abundantly showcases Olivia’s abilities and creativity. A fantastic tune, lovely language, and incredible magnificence are softly woven together. Calendar Girl’s perfect execution gives it a pensive, echoing tone that enhances the excellent verses and promotes a timeless sense of enlightenment.
The Inspiration behind this extraordinary talent, Olivia, has produced a musical masterpiece that surpasses expectations and defies aspiration. Consider her choral gaze, yield to its poetic allure, and let it become the soundtrack of your life. A compelling example of the beauty and power of music portrayed in Calendar Girl.
Sarah Lake, a Canadian-born singer-songwriter who grew up in North Carolina, rose to fame as Sarah Mather on American Idol, where she made it to the finals. After the show, she moved to New York City, where she met her husband, Ernie Lake, a Grammy-nominated producer. She took a break from music to start a family, but after the birth of her two children, she released her EP “The Ride” in the summer of 2016. The EP’s single, “The Ride,” reached number one and remained there for four weeks on the CMT Artist Discovery Program.
Her song “Soldier On” from the EP has over one million views on YouTube. Sarah moved to Nashville in 2017 and has since released music that has been featured on Tidal, Apple Music, and a variety of Spotify playlists. As a songwriter, Sarah has had her songs recorded by a number of artists, including Moriah Formica, Betty Cantrell, and Reba McEntire.
Although she writes in all music genres, her artist sound has a distinct Americana/Folk feel, as evidenced by the success of her songs “Devil in My Head” and “Messy” on Nashville radio station Lightning 100, and “Missing Home,” which was added to several Apple playlists. Her music video for “Wide Eyed Girl” was also added to CMT online.
Sarah’ssong “Get In or Get Out,” a finalist in an international songwriting competition, has been transformed into a summer dance classic with the help of her husband Ernie Lake, and is being released as a tribute to the LGBTQ+ community in Tennessee.
“Lately” is a heartfelt ode to the loss of loved ones. A story compelling of a hard time grieving whilst hoping that somewhere out there, those lost loved ones are “dancing in the dark”. With heartfelt lyrics, it explores the tender moments of longing and the bittersweet yearning for a connection that transcends the boundaries of life and death. The lyrics serve as a testament to the enduring love and the indelible impact left behind by those who have passed on.
Within the song’s poignant storytelling, the listener is taken on a profound reflective journey. It delicately portrays the struggles of coming to terms with the absence of loved ones, while simultaneously embracing the belief that their spirits continue to thrive in another realm.
“Lately” resonates with individuals who have experienced loss, offering solace in the shared understanding of grief’s complex nature. It serves as a reminder that even amidst the darkest moments, there is a spark of hope that carries us forward and allows us to cherish the memories of our lost loved ones. Dan seeks to not only share his personal experience but also provide a universal voice for others who may be navigating the complexities of grief. “Lately” is a powerful homage to love, loss, and the enduring bond that transcends the physical realm. With no time left, stream lately on all major platforms.
Singer-songwriter, musical theater composer, arranger, and producer Charlotte Sessions is a native of the United States. She is a musician from Roselle Park, New Jersey, and her genres include jazz, pop, rock, soul, and folk.
She draws heavily from the works of musicians like Sarah Bareilles, Elton John, Norah Jones, Stevie Wonder, and Steely Don, and aims to appeal to audiences who enjoy jazz-pop and 1970s music with a contemporary twist.
Her love of music inspires her to enroll as a piano principal at the prestigious Berklee College of Music in 2019. Since then, she has produced more than 40 songs and gained useful talents including orchestration, directing, orchestration, arranging, and writing for visual media.
Should I Be the Man?, Charlotte Sessions’ first song, was made available on all music streaming services on February 14.
The writing was written two years ago during her time in college, and the production was finished a few months ago. It was produced by her in her own home studio.
The singer claims that when creating this song, the “doo-wop” rhythm just simply came to her while she was reflecting on how, in the 1950s, it was considered vulgar or desperate for women to initiate dates with men.
“A friendship that I thought would progress to something more, but he never asked me out, gave me the idea for this song,” the songwriter said. Because of this, I would constantly wonder if I should go after him myself or if I should wait for him to do so.
Saphos is a LA native who relocated to Philadelphia and creates intellectually inclined pop music without regard for the trends.
While the quirky brilliance of Fiona Apple’s poetry and the playful sweetness of Ben Folds may come through in Saphos’ eccentric singing, Saphos’ otherness comes off as pleasantly unforced and innately melodic.
The double bass, which Saphos plays expertly and on multiple instruments, serves as the foundation for her tenacious melodies. The opening track, “Spend A Little Time,” an alluringly alt-pop-jazz fusion about the redemptive power of human attention, and the song “Stoic Companion,” which explores the uncertainties of being in a relationship with a human statue incapable of expressing vulnerablility, do, despite her disinterest in consistent tempos, pay homage to tradition.
A creative adaptation of Emily Pauline Johnson’s poem “Fire-Flowers” is “And Only”. This lighthearted Vulfpeckian cut offers the profound source material the well-deservedly ambitious scope through constantly shifting and cunning patterns. “Figure Eights”, unsurprisingly, focuses on Saphos‘ “lifelong propensity for patterns”. These amorphisms have minimal foundation despite being patterned. For instance, “Tryin’ To Be” forgoes conventional songs structures to produce an upbeat and melodic track that abruptly shifts to an instrumental hard rock section driven by electric guitar and loud percussion.
Though it lasts less than a minute, the brief “Thoughts Over You” is the collection’s most well-rounded song’ Coherence is, of course, only occasionally desired, particularly in alt-pop, a genre Saphos is adept at. These songs have a lot to be admired, besides the warm and lavish production. With the fervent passion of an understudy in a Broadway musical trying to prove themselves to the world, they bounced between fashionably hip executions and more jovial proclamation. The uplifting sentiments of “My Intention” and the enduringly endearing “More” properly support these oscillation.
Saphos is pictured seated in a chair and gazing over her shoulder on the album cover by photographer Jordana Rubenstein-Edberg. This appropriate for an album where the artist draws inspiration from her history. If you look closely, you can see that she is sporting protective ice skates as a tribute to the memories she had of “ice skating” on every carpeted surface of her childhood house in the 1900s.
“Figure Eights” is a distinctively unconventional piece of music that takes the listener on a wavering journey through the contradictory emotions of joy and sorrow that come from looking back at the past.
Mitch Rocket, a remarkably talented singer-songwriter and multi-instrumentalist, originally hails from the vibrant city of San Francisco. His journey in music began as a solo project, but over time, it evolved into a captivating five-piece rock band that exudes creativity and passion. Joining forces with seasoned Bay Area musicians, Mitch Rocket’s band features Alan Onymous on drums, Jazzy Geoff McConohy on sax and keys, Iwami Ryu on bass, Oscar Garcia on guitar, and, of course, Mitch Rocket himself on vocals, guitar, and sax. Their musical brilliance knows no bounds as they enthrall Bay Area audiences with their genre-blending fusion of folk rock and jazz. Each band member brings their unique talent to the mix, creating a harmonious sound that resonates deeply with listeners.
The release of their debut album, “Petting Zoo,” was a testament to their boundary-pushing approach to music. With heartfelt lyrics and soul-stirring melodies, the album showcases their artistic essence and leaves an indelible mark on all who experience it. What sets the Mitch Rocket band apart is not just their exceptional studio recordings but also their electrifying live performances. Each show becomes an immersive musical journey, transporting the audience into a world of passion and emotion. “Worry Less,” a soul-stirring ballad penned by Mitch Rocket, stands as a heartfelt call to authenticity.
It gently guides listeners to embrace vulnerability and let go of pretenses, encouraging them to share their true selves with the world without fear of judgment. The song urges us to break free from ego-driven pursuits and instead focus on forming genuine connections with others. Through the power of music, “Worry Less” becomes a refuge for the soul, calming turbulent emotions and offering healing. As the band weaves their magic, the song’s message becomes even more potent, resonating deeply with audiences. Beyond being an anthem of authenticity, “Worry Less” celebrates the universal language of music. It highlights the profound impact of genuine human connections, transcending the superficiality of fame and recognition.
Everyone who creates art has a narrative to share, and Matt Zambon is no different. His musical trajectory has been marked by determination, tenacity, and an unwavering commitment to his craft. Matt Zambon is inspired by a wide range of sources, fusing several genres and styles to produce a sound that is uniquely his own. Each song is a tribute to his incredible ability to connect with his audience on a deep level, from heartfelt ballads that touch the soul to contagious rhythms that get you moving.
Music has the extraordinary ability to stir our emotions, take us to another time and place, and soothe our souls. The music of Matt Zambon is proof of this transforming force. His songs are infused with a great awareness of the human experience, real honesty, and sensitivity. For both the singer and the listener, each song develops into a personal journey that explores love, joy, and everything in between. It doesn’t matter if you’re celebrating a victory or looking for comfort through a difficult time—MattZambon’s music will speak to you.
Blue & Yellow
In the broad musical environment, some songs have the ability to permanently imprint themselves on our hearts. One such work that crosses boundary and has a tremendous impact on listeners is “Blue & Yellow”. “Blue & Yellow” is a tribute to the transforming power of music with its ethereally lovely melodies, poetic lyrics, and an arrangement that touches the heart.
Being able to conjure up vivid images in the listeners’ thoughts is one of Blue & Yellow’s unique qualities. A tale that speaks to the soul is created by the lyrics, which are a work of art that have been meticulously knitted together. “Blue & Yellow” urges us to examine our own feelings and relate to the shared experience of humanity, whether it is via a story of lost love, a celebration of life’s victories, or a contemplation on the intricacies of the human condition.
“Blue & Yellow” has an absolutely beautiful melody. It carries us on a captivating and evocative auditory trip as it moves through the verses, chorus, and bridge. The song is given new life by MattZambon’s painstakingly created arrangement, which gives it a distinct character and a timeless quality that will endure.
